Friday, 14 December 2012

Discussion: The Duchess War - Courtney Milan


Blodeuedd:
Rameau and Anachronist love Courtney Milan so today I am giving the floor over to them both. Go crazy girls ;)

Spoiler alert

This discussion contains several more or less significant spoilers. If you are spoiler-sensitive and you haven’t read The Duchess War yet (honestly, what are you waiting for?) you might want to avert your eyes. Still we also talk about sex so perhaps averting your eyes is not such a clever thing to do. Oh well. Anyway the choice is entirely yours -  you have been warned.

Ana: An aristocrat and a mouse - it seems a very cliche pairing, don’t you think? 

Ram: Well, if you were to tell me only that and not the author’s name I’d probably move on and look for something else to read first instead. I’d probably grab an M/M book.

Ana: Ok, so let’s imagine I did mention the author and the fact that the mouse in question can play chess and has to hide her identity...what would your reaction be then?

Ram: With gushing or sans gushing?

Ana: LOL gush if you want.

Ram: I so rarely get the opportunity. It’d probably be like this: OMG OMG I can’t wait to see how Milan turns this cliché on its head and shows the world how it should be done. I can’t wait to read it!!!!11!!

Ana: I agree that a Milan romance novel contains always something surprising. What was the biggest surprise here for you personally?

Ram: Hey, didn’t we skip a part? Where you tell me how you’d react to such a premise before hearing who has written it and then after you know it’s a Milan book. And go:

Ana: LOL ok, backpedalling a bit. I would like to read it of course. Sans OMG. It is still a romance book, nothing to write home about ;p I admit that if you mentioned ‘awkward sex’ as well I would be a tad more interested. Strategy of course works even better.

Ram: It’s like I have a whole another set of expectations for a Milan book than I have for any other. The awkward sex was magnificent and surprisingly arousing for reader, but it’s something I’d definitely forget to mention because I expect certain level of realism from the author that I don’t expect from others. You mentioned the strategy and I agree, it’s fun to see a character, a young woman in a historical fiction, to plan ahead, but as you said in your review, I don’t think it was fully realised here. I didn’t get the sense that Minnie was planning her life three or six steps ahead and it just made me want to read about a heroine who does. Remember that rant of mine how I want to see Milan write a book about heroine who intentionally traps a man into marriage and falls for him anyway? Well, that just evolves and now I want to see a series about such women. I should probably take a breath and let you say something.

Ana: Something. Is it enough? ;D
Your ideas are so interesting that I don’t intend to break your train of thought.

Ram: As I was saying... The biggest surprise for me was that I didn’t think Milan did everything she could have with this book and the character. I read on her website that Brothers Sinister series heroines have one thing in common and that’s the fact they’ve been ruined. In theory it sounds wonderful as it voids the expectations—fears more likely—of a romance heroine ingenue that’s too good to be anything but boring to read about. Ruined heroines are more interesting. 

Ana: My biggest surprise came when Minnie realized (a bit too late I should add) that marrying that son of a miller wouldn’t bring her the much-wanted stabilization and security. I mean it was TOO LATE for such an intelligent girl. Almost too late. She should have done her strategic thinking right after he showed any interest. It was out of her character.

Ram: That’s part of what I meant. The part that she wasn’t thinking ahead far enough, but at the same time I bought it because of her identity crisis. 

Ana: Identity crisis? Right... I am not sure I was aware of it at first - not before she started to change under the influence of the Duke and his outlandish ideas. 

Ram: I guess I have an advantage over you in this because I did read Milan’s novella What Happened At Midnight, the one she wrote for the Midnight Scandals anthology. 

Ana: I haven’t read it, that’s true.

Ram: In it, there’s another version of a girl being ruined by her father, hiding away, hiding her secret and changing herself to avoid detection. I can’t remember the exact moment, but very early on in the book I realised there were some similarities, so I was able to anticipate some of the turmoil Minnie would be going through and why it would happen. I expected Milan to explore that side of her character further.

Ana: I see. There is another moment, then. Minnie has changed. She is safely married to her Duke. He receives a letter about the imprisonment of Olivier Marshall, his half brother. And what do they do? They board a train and have sex like a pair of bunnies. Where is that strategic thinking I ask?

Ram: I think her strategy was in distracting her husband from worrying about things he couldn’t change while they were on the train. And after that the book kind of shifted to deal with his problematic past. That could also explain part of the pacing problems I saw. Milan couldn’t quite find a balance between giving both Minnie and Robert time to fall in love, to start to trust each other, and to play together as they must have learned to do during those four skipped years before the epilogue. Maybe the book had been better if they’d started to play together against a common enemy from the start while still distrusting each other. What do you think?

Ana: I definitely agree with you on that one. Which leads straight to their very rushed marriage and their first night together. They even didn’t have enough time to find out each other’s preferences and dislikes in advance. It was well...awkward.

Ram: Why must there always be a special licence in these things? That’s another thing I’d like to see them get rid of. Milan didn’t need to hurry to get to the sex because she’d already written good masturbation scenes, so it really didn’t make sense. And just think how it would have been had they got married after the trial. 

Ana: Yes, that ‘special license marriage’ is starting to be one of my minor pet peeves. Ok, let not disappoint our dear hostess, Blodeuedd, and tackle that scene when two virgins go to bed and try to make it worthwhile ;p 

Ram: I KNEW IT! was my reaction to it. Unclaimed was my first Milan novel and it too had a virgin hero and I loved it. Here, she chose a more subtle approach and it really paid off in that wedding night scene. Don’t you think?

Ana: It was funny and it was right. What bothered me was once again how FAST they managed to make it right. Correct me if I am mistaken but I suppose it takes more than just one attempt, no matter how enthusiastic, to attune to each other and here...oh, the wonderful world of fiction where miracles are the order of the day!!!

Ram: I did mention the masturbation scenes, didn’t I? It’s infinitely easier to become attuned to someone else’s desires when they themselves know what they like. Speaking as someone who had her first time with another virgin and neither of us knew what we were doing I can only say that if I could have done it again, I’d begged Mum to tell me more about the importance of masturbation. As if she didn’t talk about sex enough while I was growing up.

Ana: Have you noticed that there was no hymenal laceration?

Ram: I noticed, but though because she wasn’t a teenager and had learned to ride at some point of her life that it was choice on the author’s part to avoid the gore.

Ana: Hmm...I think I missed that part when she speaks about riding a horse regularly but I did read pretty quickly so it is entirely possible. Yes, I would rather say it was deliberate - not to make Minnie too sore in order to let them continue day in day out.

Ram: She did ride to the town in pouring rain to show Lydia’s father the damning evidence against Robert.

Ana: It takes more than that. It should be a habit and believe me I speak about my own experiences.

Ram: Or it could just be another aspect of the pacing issues.

Ana: Overall how would you assess this novel, when comparing it to other Milan books, published so far?

Ram: We’re almost making it sound like we didn’t like it. But overall, you say. It’s not her best. I think she’s evolving as a storyteller and I’m pretty sure I will love this Brothers Sinister series more than I love the Un-series, but on a technical side it’s definitely not her best. Unclaimed and Unraveled were better on the pacing front.

Ana: I quite agree with you again. I hope, as the first novel in a new series it has the right to be the weakest and the rest would be far better. Unraveled has been my favourite so far, Unclaimed is, in my view, the second best.




Thursday, 13 December 2012

Rameau Reviews: What the librarian did - Karina Bliss


I may or may not have found my new favourite author. 

There’s a reason Harlequin Superromances sell so well in Finland, better than Blaze or any other kinky ultra hot sex series or imprint. The impact of naked skin kind of evens out when you get used to seeing it regularly in the sauna. And we have those long winter nights and comfy blankets in our beds… anyway, it’s all about the story. 

Here, two adults in their thirties meet at a point in their lives that isn’t particularly auspicious for romantic entanglements. One desperately wants a family but isn’t ready to commit to a man to have it, and another is trying to build a new start for his life. It’s a good thing then that they don’t know anything about each other and can discover together what the future holds for them. But as I said, the timing is the best possible and their past mistakes are about to catch up with them. 

I made a list of all the things I loved about this book and it’s as disorganised as are my thoughts, still. I loved the wit and humour Bliss infuses her text with. Jokes are a delicate thing to write especially when the audience doesn’t necessarily share the cultural context with the author, but here:

”It wasn't that he had a five o'clock shadow at nine-thirty in the morning that screamed 'bad boy.' To Rachel's eyes, that simply made him scruffy.”

"Anyone could see she had a conscience. That must be painful for her."

”’I’m not offended. You're not my type, either.'
Perversely, he was piqued. 'Not a nerd, you mean?'
Her eyes narrowed. 'Not housebroken.’

Look at that and tell me it’s not funny even without the context. I dare you. 

I loved the fact that Rachel and Devin didn’t succumb to the insta-lust/love/attraction that’s a plague in modern romances. They were actually slightly antagonistic before building a tentative friendship with the option for more. Their romance was the slow burn kind with push and pull to keep them balanced. One gave the other took, and then they switched places. Truths were shared and actual smarts were displayed. I loved that both Rachel and Devin acted like adults. They weren’t perfect but they owned up to their mistakes and were determined to face the consequences. 

One thing I absolutely hate in romance novels is the plot twist involving an artificial, prolonged misunderstanding. It was delightfully absent from this book and it all comes back to characters acting like real adults. Even in their most idiotic moments, they remained true to their characterisations instead of changing to fit the whims of the plot. 

As for the reason why I now have a “can-I-has-a-Devin” shelf, let’s just say—without spoiling the book for everyone else—that the man knows the right things to say. (Yes, I’m aware that a woman wrote him.) He has brilliant scenes with Rachel and another character where he expresses his unwavering love, devotion, and trust in her. Once he’s in, he’s in. He’s made up his mind and he won’t let her insecurities drive him away, and he trusts her to figure it out eventually.

I’ll need to read that other book by Bliss I bought on the Harlequin Christmas sale. Then I’ll know if I’ll be adding another author on my list of favourites.

5 stars




Series: Harlequin Superromance #1622
Pages: 256 (ebook)
Publisher: Harlequin
Published: 2010
Source: Bought

Wednesday, 12 December 2012

Review: Just a cowboy and his baby - Carolyn Brown


One determined, hell-on-wheels cowgirl. One equally determined, sexier-than-hell cowboy. One innocent baby, who suddenly takes center stage and everybody's priorities are suddenly up for grabs.

With a young baby dropped in his lap, bronc rider Trace Coleman's world is turned upside down. Suddenly, Gemma O'Donnell, his stiffest competition on the rodeo scene, is now the one person who can help him. She's already resisting his sexy smile and even sexier swagger, but she can't resist a baby. When it comes down to it, only one can win, but is winning more important than love and family?

My thoughts:
In this Brown novel it's Gemma who gets her shot at love. She is a bronc rider and is competing for the grand prize. She is tough as nails and wont anyone walk over her, in this manly world. But she is also kind, and yes sassy.

In comes hunky Trace, of course she has checked him out and he her. But he is her most fierce competition so no chance of anything happening. But who am I kidding, of course something will happen. These two will spend months travelling the same roads, going to the same places. Fate is pushing them together.

There is a baby in the title, and something is shown a bit into the book so that one is easy to figure out.

And yes it can be read as a stand alone.

Conclusion:
The book was cute, filled with Texas charm and a book that you easily read in one day. You just sit down and the pages fly by.

Cover: Cute

Series: Spikes and Spurs #6
Genre: Contemporary romance, western
Pages: 342
Published: Dec 4th 2012 by Sourcebooks Casablanca
Source: For review

Tuesday, 11 December 2012

Rameau Reviews: Keeper of the Night - Heather Graham

Blame it on bouncing back from a five star book or blame it on taste differences in writing styles, but this book simply wasn’t for me. 

I haven’t read the other The Keepers-series Graham co-authored with Alexandra Sokoloff and Deborah Leblanc, but I did like the paranormal world presented here. The set up was unfortunately—or fortunately depending on your point of view—delivered in an infodump prologue and it actually made me curious about the Others blending in the masses of non-believing humans. More importantly, it made me want to read about an elven character. 

However, I was quickly disappointed. The world building I liked—the idea of keepers ensuring the peace among other races of paranormal creatures—but I couldn’t connect with the characters. Graham filled the beginning with repetitious lines and descriptions that quickly eroded my interest. As I read further, the less I cared about Rhiannon and Brodie, their budding relationship, and the mystery they were trying to untangle. I couldn’t even be bothered to look for the clues for the killer as I speedread through the rest of the book. On the positive side, my disinterest prevented me from absolutely hating the book. 

I’m guessing that if you’re familiar with Graham’s previous work and like it, you’ll enjoy this novel too. 

2 stars


Series: The Keepers: L.A. #1
Pages: 304 (paperback)
Publisher: Harlequin 
Imprint: Nocturne
Published: Expected: December 18th 2012
Source: NetGalley


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